Goethe

4

Dear Artist,

For two hundred years Johann Wolfgang von Goethe (1749-1832) has had something to say to creative people. Goethe (pronounced GER tuh) was a German poet, novelist, playwright and scientist. Some things he didn’t get right. Going against the findings of Sir Isaac Newton who had determined that colour came from white light, Goethe figured colour was merely a form of darkness. Too bad. An aristocrat with financial resources and terrific connections, he could turn his mind in any direction he wished. He was fascinated with the spirit and methodology of art-making.

Goethe in the Country, 1787 oil on linen 164 × 206 cm by Johann Heinrich Wilhelm Tischbein (1751-1829)

Goethe in the Country, 1787
oil on linen
164 × 206 cm
by Johann Heinrich Wilhelm Tischbein (1751-1829)

In his dramatic tragedy “Torquato Tasso” (1790) he tells of a young poet who fails to come to terms with his surroundings because of his lack of self-discipline. Sound familiar? In a novel “William Meister’s Apprenticeship” (1796) he describes a gradual, painful process by which a young person interested in the arts gains maturity, self-knowledge and social responsibility.

In Goethe we find truths for people like us. Often his remarks have broad meaning as well as specific application: “There is strong shadow where there is much light,” he noted, and, “One is never satisfied with the portrait of a person that one knows.” “Talent,” he pointed out, “is formed in stillness.” “Create, artist, do not talk,” he advised. “Theory is gray, but the tree of life is green.” Mournfully, he reports that “Art is long, life short, judgment difficult, opportunity transient.”

Portrait of Lady Charlotte Campbell, 1789 oil on canvas 197.2 x W 134 cm by Johann Heinrich Wilhelm Tischbein

Portrait of Lady Charlotte Campbell, 1789
oil on canvas
197.2 x W 134 cm
by Johann Heinrich Wilhelm Tischbein

Goethe loved nature and what we would now call psychology. He treasured friendships as stimulants. He had imagination, curiosity and versatility in spades — he also knew when to drop projects or entanglements when they had run their course. Goethe came to regard naturalness, sincerity and simplicity as the prime virtues of art.

Goethe’s masterpiece was “Faust,” finished only months before his death. His central character makes a pact with the devil in order to get maximum satisfaction from life. The devil loses the wager because Faust continually sought perfection.

In life and art, Goethe’s motto was, “Without haste, but without rest.” His last words: “More light!”

Best regards,

Robert

PS: “Whatever you can do, or dream, you can begin. Boldness has genius, power and magic in it. Begin it now.” (Goethe)

Esoterica: For Goethe there was a creative motivator beyond curiosity. For freethinkers like him, art is a kind of sensible, attainable immortality. “If I work incessantly to the last, nature owes me another form of existence when the present one collapses.”

Self-Portrait, 1785 oil on linen by Johann Heinrich Wilhelm Tischbein

Self-Portrait, 1785
oil on linen
by Johann Heinrich Wilhelm Tischbein

This letter was originally published as “Goethe” on September 2, 2003.

Sara Genn: New Alphabet is on view until October 17th, 2019 at Dimmitt Contemporary Art, 3637 West Alabama Street, Houston. 

The Letters: Vol. 1 and 2, narrated by Dave Genn, are available for download on Amazon, here. Proceeds of sales contribute to the production of The Painter’s Keys.

“Fresh activity is the only means of overcoming adversity.” (Johann Wolfgang von Goethe)

 

 

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4 Comments

  1. I love the quote from Goethe: “If I work incessantly to the last, nature (to me nature is God) owes me another form of existence when the present one collapses.” I hope and pray that this is the case. Thank you, Sara, for reposting your dad’s, yet again, enlightening article. I also like the pronunciation of Goethe’s name. Thank you and to Robert….as always……Suszanne

    • As I understand it, transparent colour is a spectrum that comes from white light and saturated colour from absorption and reflection… perhaps described as darkness. I’m always fascinated by the different qualities in paint, some that mix well and others that don’t. It seems that with acrylic paint the more transparent (expensive) colours mix well and the paint with heavy pigment is best straight from the tube.

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