In the comments section of last Friday’s letter, Sharon Lalonde asked, “What is the responsibility of an artist to be a good host at her opening, and what would that look like? I have been to openings where one has to guess who the artist is, or the artist is comfortably in a corner with a few friends and does not engage. I think some education in this area would be valuable.”
If you’re throwing your own vernissage, studio visit, artist-run or collective affair, then it probably makes sense to put on a hostess hat and work the room. But if you find yourself standing at your own opening in a commercial gallery, one engaged in the business of promoting and selling your work, you may have a little more freedom to do what my grandmother Lorrie Genn advised my dad on the eve of his first exhibition: “Be yourself, Bob.”
Not all creative people relish the spotlight. Many of us are introverts and have to work at being outgoing, while others among us may deeply enjoy cultivating a scene.
My personal feeling has always been that by the time you’re at your own opening, your preparation is complete and your work should stand on its own. Now, depending on your individual rhythms, expectations, people skills and desire to share, it’s best not to force anything. Be yourself, whatever that means, while allowing your partner — your dealer — to carry the ball the rest of the way down the field. She has a personal style, too, and a job to do, with or without your gentle help. If you’re lucky, she’s the kind of person who crosses a room with her hand outstretched, keen to spread her own passions, connection and joy. If you’re lucky, together you’re a team with complementary skills, shining light on the real star of the show.
PS: “We can make our minds so like still water that beings gather about us that they may see, it may be, their own images, and so live for a moment with a clearer, perhaps even with a fiercer life because of our quiet.” (William Butler Yeats)
“The more you know the artist, the less you like the art.” (Anonymous)
Esoterica: I remember travelling with my dad to the opening of our first two-person show. He ducked into the airport newsagent and bought two pens. “Before a show, I like to buy a pen,” he explained, “as a symbol of good luck and good faith.” His private ritual was a revelation, as I thought back over my childhood attending his openings, watching him take a seat in the gallery, trying to stay relaxed in the way that worked for him: through the intimacy of talking one-on-one with thoughtful people, finding the laughter in the experience, inquiring about others’ creative lives or travels, making friends. At times, he could be found in a corner in an act of personal connection, signing and dedicating one of his books — with his new pen.
“An artist needn’t be a clergyman or a churchwarden, but he certainly must have a warm heart for his fellow men.” (Vincent van Gogh)
“What am I in most people’s eyes? A nonentity or an eccentric and disagreeable man… I should want my work to show what is in the heart of such an eccentric, of such a nobody. (Vincent van Gogh)
I am very happy to be teaching two workshops at Casa Buena Art Retreat Center again next year. Register for one or stay for both.
THE FIGURE – Feb 20 – 27, ’19. Enjoy working with a live model using dry media. We will deal with proportion, measurement and likeness.
PLEIN AIR – Feb 27 – Mar 6, ’19. Paint authentic Mexico – village life, beaches and landscape. We will deal with composition, light & shadow, color, value and more.
Cost: CAN $1800 + GST. Includes instruction, some art supplies, accommodation, all meals, transportation to and from Puerto Vallarta airport, visits to surrounding areas, a jungle boat ride and a lot of fun.
Contact Jane Romanishko email@example.com for the extra 3 day “no-pressure” painting option.
A professional painter in both watercolor and oil for over 35 years, I have been creating plein air workshops in Europe for artists to join me since 1996. Plein air is one of the most exciting methods of painting, and I teach a very easy to learn way of capturing the light quickly, that any artist can apply to their own work during our adventures to Europe. Travel for artists is a great way to immerse yourself in painting and make great advances in your techniques by watching other professionals work, and by sharing your own ideas with other artists we all grow! Authentic locations, such as a 12th Century Castle in Ireland, a French Maison in the countryside of France, or an Italian Villa in an historic hilltop village in Italy are carefully chosen. We want our artists and non-painting guests to feel relaxed and at home, with en-suite bedrooms, excellent chef prepared cuisine, and convenient transfers to painting and exploring locations so you can be where you want to be to create. Join me on our next exciting journey!