Archived Comments
Enjoy the past comments below for Out in the cold…
I am in awe of you and all others who brave the elements to paint when taking a photo and retreating to the comfort of the studio is such an easy option. I have tried and given up, and never quite experienced that particular “soft communion with wonder”!
I can see the headlines now if I tried it “Paralytic Painter in Mountain Rescue Drama”. He had his foam, his gloves, his brella, his chair and a HUGE flask. Rescuers figured a dog helped him carry the flask. All he could say was Bob said it was okay ! Happy Holidays
Grizzly bears prefer oils to acrylic, and they simply love Scotch-flavored artists, yum!
I’m cold just reading this. Here in Florida when it gets in the 50s I get grumpy and head for a warm place!
Enough of all this “serious” stuff. Frozen watercolor can be quite beautiful. Several years ago I was painting in the wilds of Idaho (no, Idaho is not ALL wild) and since I tend to paint flat the crystals began to do things no painter could do on purpose. All was gorgeous. I decided to leave it alone and take it in. When I picked it up by an edge the wonderful texture of crystal slid off onto the snow. I tried again hoping to take it inside flat. Nothing that great ever happened again.
You’re my hero; flat out; just thought you should know. I had a Spanish girlfriend/painter who subscribes to your newsletter, and thought I’d like it. Alas, the relationship didn’t work out, but I am forever indebted to her for turning me on to your email. Your advice, anecdotes, experience, and all the rest are an absolute inspiration to me. I could cite specific examples, but I get something from every letter; So, thanks for the encouragement, thanks for the support, thanks for the wisdom, esoterica, and for sometimes making me laugh out loud, and keep it up, okay?
I always carry my paints in my interior pockets…and use a sock with a hole in the end for covering hands!
Your suggestions are excellent. As an avid outdoor painter, especially in the city, may I add a few ideas: If possible find a sunny spot where to sit or stand but only if you wear sun glasses. Otherwise the glare from canvas, paper and palette will be unbearable. It’s amazing how a little sunshine on one’s back will create the feel either real or imagined of warmth. What I sometimes do when painting in cold weather in the city is to get a start on the work and put down the bones of the drawing. I may add a few color indications or written notes. Then I head for the warmth of the nearest coffee house to complete it from memory with a small painting kit. Also, I work small. Finally, the most important element of plein air painting is the remembered feel of nature one comes away with. The level of success of the painting is secondary to the moment experienced outdoors which you will carry back into the studio.
Alcoholic beverages are not a good idea for keeping warm. They may cause a sensation of warmth but they actually cause your body to lose heat.
Cezanne died from pneumonia caused by painting outside in cold rainy weather and Monet used a brazier (a small gas stove).Try to do that today and you will wind up in prison. Ahhh, for a world that was more understanding to its plein air painters.
This has got to be my favorite of all of your letters that I have read! I chuckled all the way through it! I love your recommendation of vodka and how it can warm every part of the body! In my case, (only a moderate, once in a while drinker), I am sure it would also help to loosen up my brush strokes!! Two other items that I have found that help are a warm blanket for my lap, (if I can sit) and a thick matt to put my feet on. Also I learned the hard way, that working where the sun is hitting sure beats working in the shade!
There is nothing better than painting outside in the winter. You are so close to it and away from everything else. When we get sheltered from the wind we find that the French easel provides great protection from the falling snow. If you tilt the canvas towards you snow doesn’t go there and the palette is at least partially protected as well.
Plein air Art is forever new perspectives, moment by moment~ challenges run deep Light creates stars on seas Rainbows hurl pastel dreams beyond~ moons cycles circle and embrace Life!~
A number of years ago I thought I would do some bleak winter scenes looking out across a lake on a cold windy day in January in Syracuse. I set up behind my van and tried to paint for a while but it was so windy and cold I gave up after 20 minutes. Only later did I discover a spray pattern on the van from the wind blowing paint off the palette!
Out here in Alberta if you are sitting in a snowbank to paint, you don’t have to worry about grizzlies, even if they do like scotch as much as I do. Cougars, now, they don’t hibernate. I’ve been painting in the foothills of the Rockies this winter and am struggling with gouache freezing on palette and paper. Next time I’m going to try sitting my palette on a hot-water bottle, said hot water to travel in a thermos until needed. As for warmth: if I can, I swing the vehicle around so I can sit cross-legged in the open hatch out of the wind. Otherwise a hunk of closed-cell foam under bottom and feet makes a huge difference; ditto a neck gaiter like skiers wear. And, oh, I like those heated seats on the way home… Since I have to drive to access the views, my thermos contains spicy cashew-ginger soup. Yum.
I respect and appreciate the dedication of plein air painters who brave the elements to perform their craft. We all know the magnificant outdoors is best perceived and painted in live experience … however, there are some of us that have become studio painters out of real necessity. It is far more than mere discomfort — it is health threatening. Ten minutes in direct sun or simply getting chilled is a risk I can’t afford to take anymore. So hat’s off to you stalwart plein air painters! I truly enjoy seeing your work if I can’t do it myself.
Noble Conan [“The Vegetarian”], my late German Shepherd, came along with me into the woods on a cold, snowy afternoon. He lay in the snow with his impervious coat, surveying the woods while I painted. I had made great progress and felt smug, still warm from the hike in. Looked up and there were five deer no more than 15 feet away, across the creek. They, Conan and I all looked at each other incredulously for a moment, then he lunged straight for them– right between the legs of my easel. Everything went flying, but the canvas landed face up and no harm was done. I put it all back together and kept on. Definitely my favorite memory of painting with Conan.
I’ve bought several pairs of the cheaper stretchy knit gloves at a discount store (like WalMart, KMart, etc.) that I can just toss if they get too messy. I’ve asked for one of those ugly but funky fur-lined bombadier hats with earflaps for Xmas so I’ll be better prepared when it gets really cold. I’m thinking of trying the hand and toe warmer packets. I’ll be ready. Love some of the other ideas. Thanx!
I love painting in the snow- short days and long shadows. I’m heading to Telluride, Colorado to paint next week. The sun comes up over the valley around 9am and sets behind the mountain at about 2. And when the sun goes down you better be ready to pack it in and head inside. I recommend standing on a piece of thick cardboard, lots of layers and at least 2 pairs of sox (dress like you’re going skiing then don’t), hot drinks, and a brimmed cap under your warm ear flaps, the sun can be fierce -if you’re lucky. When I paint in pastel I use vodka in my createx underpaintings, in oil I find Gamblin Radiant White to be nice and juicy in the cold.
Thanks you got me “out”! 44° and wind, but I sat in my car and happily painted. As there was no designated driver, and it was warm and toasty in the car, no Scottish Antifreeze was needed! Will keep in mind for future trips, especially if I like the company.
Barbara Jablonski forwarded your e-news to her painting friends and that is why I signed up to receive it. I paint with Barbara as often as possible. She has gone to the art groups in the Rochester, NY area and done a demo on proper cold weather painting clothes. It is a fun demo to watch! We have not had cold weather or snow yet but I am looking forward to painting out this winter.
You people are so great! It is a pleasure (for so many of us) to sit for a moment and read your letters. Today I was laughing out loud, thinking about how crazy us painters are…. And I agree with you on the Scotch.
I have gone plein air painting with a wet suit under my clothes to keep warm on brisk windy and cold days. While others were freezing I was steaming and taking off my hat to cool down a bit. I like to take along hot cider for warming up — at the end of the day I might add a little Calvados to it. Guess I’m a little eccentric.
I miss painting on location in sub zero temperatures living on the warmish Sunshine Coast. So when I awake early and the temperature is zero or less I quickly set up my watercolour kit on my studio deck and paint from my sketches hoping frozen watercolours can happen. So far this winter the humidity has been too high when it’s been cold enough for water to freeze. In order for sublimation to happen (a solid state going directly into a gaseous state) two factors are required, freezing temperature and low humidity. The effects of watercolour pigment freezing in layers on top of each other, the pooling of pigment at the edges of brush strokes and frost patterns all remain in the painting if sublimation can take place. Lots of fun…cold but very rewarding. And of course one has to dress for the occasion.
I attended a few plein air demos with a local popular artist–being a spectator is possibly harder in freezing weather–but this guy wears insulated mechanic’s overalls (It’s a one-piece affair) and the snoopy headgear with the flaps. Well, I met him at his solo show recently and was very surprised that he was so thin in his regular clothes!
In my case I wore a Skidoo suit and boots that I got when my children were young, and I got very cold helping them to toboggan down a hill. The only problem with this was that on a sunny day it sometimes became too warm! Also, I paint standing, and sometimes found myself sinking into a puddle.
Aw!! eat your hearts out, the only snow we get here is on the top of Mauna Kea a dormant volcano over 10,000 feet above sea level. Temperature here is 72 degrees with a gentle trade wind blowing the smell of fresh flowers over the island. Paint every day with the only problem most of the scenes are green and blue/turquoise of forest and ocean. Come to Hawaii and bask in the sun in the middle of winter. Honolulu, HI
Thank you for the many emails and all wonderful information that I so appreciate. Also, my gratitude for all your valuable time and experience shared. I cant find the right words to express my heartfelt thank you. Wishing you and loved ones happy holidays and the best for the new year.
I used to paint from life, outdoors, but the vicissitudes you cite drove me to the studio. Ultimately, it was best for my work because I began to rely on my memory and imagination, rather than direct observation. My work became more poetic and less illustrative. Art springs from life but it doesn’t mean we have to be tyrannized by it.
In all honesty, many artists no longer suffer bad weather any more but just can’t fess up to taking photos and painting indoors. It’s time to be honest so the rest of us can go outdoors just for research, smell the air and high tail it for warmer surroundings. Come in artists — own up! Yyou all don’t sit in the rain to paint a rainy day. You know who you are. Stand up…
Even some great Landscaper painted of the past in thier studios. This is a known fact. Need I name names???
Even great painters painted in thier studios. Last comment skewed due to cold weather. :)
I have always tried to avoid painting in the cold, but have done it many times when the scenery was too wonderful,. In “sunny” California we have fog in the summer and wind in the Spring & Fall. I have retreated to my car when the cold really would not let me stay out any longer, but it’s just not the same. In college, I’ve sketched and did pen and ink drawings in the snow, but we don’t get snow in the San Francisco Bay area. When the weather is foggy and cold, I find that my watercolors don’t dry, and so I try to work on two paintings simultaneously. Wind is a real problem with a light- weight easel. A lot of times I will paint on my lap. Tony Van Hasselt used to recommend mittens when painting outdoors in his Fall workshops. I like to seek areas that offer protection from wind & cold. Bicycle gloves work well for me along with heavy socks (2pr) and heavy hiking boots. I love painting outdoors, but find as I grow older that I like the conditions to be not so extreme as to detract me from the job at hand.
Thank you, Robert. This SO appeals to me — to paint in the snow. I live in Florida, but now I have a motor home. I’m not sure how well it will withstand freezing weather; the water pipes might burst, etc. and I will definitely have to find some good second hand clothing on my way North, but I’m going to try to find a way……I’m totally inspired!
Y’ALL ARE CRAZY !
I love to paint outdoors! No, no alcohol or anything like that at all! Summer is for painting outdoors, winter is for the studio or painting close to the rented cabin!
I dunno. There is something pretty magical about packing up the car, driving out somewhere, coffee in hand, music on, soaking in the hues, etc, arriving at a spot that screams “ha hah”! This year I’ve painted in blistering heat & sun to bone chilling cold. Each has it’s own individual issues. Kinda crazy but when else could I/would I wear those sexy thermals and snowmobile boots. Alcohol? Yup.
Pastels is the way to go , don’t freeze.
This is why God created — the model and the still life. he,he,he
The coldest I’ve painted in here in Ontario was minus 25 Celsius (minus 13 F). Like others have mentioned, I dress in layers. An inner wicking layer, an insulating layer and an outer windbreak layer. Along with snowmobile boots I’m perfectly warm. The secret to warm hands is to use woolen socks over your hands, rather than mitts or gloves. I cut a pair of small holes in one of the socks and pass the paint brush in one hole and out the other. That way I get to grip the brush in my bare hand, and the sock keeps me warmer than any mitt or glove ever can. To keep my feet warm, I carry a square (3’x3′) of rubber-backed carpet, which I roll out and stand on. It insulates me from the snow below. I also limit my exposure to 20 minutes. After that, no matter how I feel, it’s back to the car for a coffee. I warm up there until I’m ready for my next foray outside. This way I can keep painting all day in sub-zero weather.
Canadians must be a hearty breed. I, on the other hand, am a delicate flower. Living on the southern shore of the Great Lakes in what is affectationally known as the Rusty Snow Belt, I find that my best piece of equipment for winter survival is my ambien bottle. I recommend sleeping through the winter. It’s a well known natural process used by bears as well as delicate flowers. The painting larder is somewhat bare in the spring, but replenishing it is that much more enjoyable. (It is a very good thing I don’t depend on my painting for a living, else I should starve.)
How do people work with oil paint when it’s below 30 degrees faranheit? Thanks!
Calm Before the Storm acrylic painting, 20 x 24 inches by Patricia MacDonald, Canada |
I must protest this outrageous mistreatment of the sacrament of vodka!