Last weekend I attended an exhibition of the work of a wide range of painters. A lot of it was photo-derived — some of it really crackerjack — others not so hot. Why is it that some people can take photographic reference and make it exciting, while others only succeed in reproducing a photo?
A lot of it has to do with the analysis that an artist gives to the reference prior to picking up the brush. Here are a few ideas you might find useful