Late Evening on the River watercolour painting by Grey Darden, Valley Head, WV, USA |
Archived Comments
Enjoy the past comments below for The gradated life…
Thank you for sharing this delightful experience you have enjoyed far away from Crescent Beach.
I really enjoyed reading about the Japanese art, history, and way of preparing the oils. Even the little piece gave me a beautiful look into a tradition I would have never known.
Traditional sources for material can also be a great source of interest & as a result :Influence. I just returned from the Montreal Botanical Gardens: and the Japenese Garden provided great insight on Laquer , from the Laquer tree ; and then the mixings.
Thank you for sharing your story about Japan and their painting.It must be very fascinating to watch the old man create his art in this ancient way and how they prepare their colors from natural sources .The Japanese are known to be spiritual and have ceremonial rituals in many things they do.It is very good that many young Japanese are following this old way of painting.
Your post today is influential, especially for me. Having loved Eastern art for a while, I am attempting to paint my boggies with this influence. I like to think my work has a Japanese flare.
Japanese art is and always has been enigmatic to me. Maybe when i’ve several centuries of discovery under my belt, I might get a better grip on what they are painting. Frankly, it’s pretty and illustrative in a flowery way and, to me, has reached a level where, unless I were japanese, I have difficulty really appreciating it. This of course is a personal choice. I much more prefer the Russian school at the turn of the 19th century. Repin, Levitan, Surikov, Kramskoy, Perov et al. Personally I like work that tells a story or has a message. Occasionally I enjoy a benign landscape for diversion. I want to see the hand of the artist in the work. See it’s truth and honesty. Mt Fujii isn’t the Sierra’s where I feel connected. Mt Shasta now, there is a peak. I see most Jananese art as, well, mainly wallpaper. I can appreciate the esthetic qualities, but prefer to have more “meat” in my painting.
I’m excited to hear that you are in Japan! I have many students who would be interested in meeting you. I’ve been enjoying your column for a number of years, learning and reflecting on your experiences. I’d be happy to meet you if you’re in Tokyo area and show you some surprisingly scenic city nature off the beaten track. And some great art supply shops.
Gradation is one of the basic principles of design. Smooth is better than jumpy or wishy washy. Implied, or partly hidden gradations are particularly valuable. Gradations carry with them the essence of appeal in a painting.
London, UKThe use of light and shade in paintings is a peculiar Western convention. Perhaps the more worldly West was obsessed with a sense of reality, and needed to express it, and the more ascetic and philosophic East felt it did not need.
The information in these letters is worth gold. Thank you Robert for encouraging so many of the worldly wise to write in this forum. It is the best.
I am going to be fuzzier in the future.
I just recently had my first show at age 65 and felt so encouraged and inspired by the folks who attended. I find myself pushing pushing pushing as I experience my mortality and the urge to express myself through this new found medium of oil painting after having been a midwife for 30 years. Here is the prayer that my son just offered to me: In the midst of the whirling day, in the hectic rush to be doing,
In the frantic pace of life, pause here for a moment. Catch your breath, relax your body. Loosen your grip on life. Consider that our lives are always unfinished business. Imagine that the picture of our being is never complete. Allow your life to be a work in progress. Do not hurry to mold the masterpiece; Do not rush to finish the picture; Do not be impatient to complete the drawing. From beckoning birth to dawning death, we are in process, And always there is more to be done. Do not let the incompleteness weigh on your spirit. Do not despair that imperfection marks your every day. Do not fear that we are still in the making. Let us instead be grateful that the world is still to be created. Let us give thanks that we can be more than we are. Let us celebrate the power of the incomplete, For life is always unfinished business. Richard Gilbert From the Skinner House meditation manual “In the Holy Quiet of this Hour”Beautiful message. Congratulations on your exhibit. I have allowed my art to be blocked for years and years, and am trying to unlock it.
I love it..and what a great name for this art! I am a big Japan fan, having traveled there twice…I learned of an art form there, called etegami? Are you familiar with this?? I love your inspirational messages…always inspire me!
In observing the artwork produced by this method, I agreed with someone who said that it would be better to leave the traditional largely where it belongs, but then I followed up the link to Hiroshi Sengu’s work and it is wonderful and amazing, so I take it back! Thank you for a totally inspiring discovery. It could be, that because he considers himself more international than national, that he has been able to escape the limitations of a traditional style and brought it into the 21st century. I loved his comment about who his contemporary inspirations were: ‘Since I am an artist I am most interested in myself.’ Right on Hiroshi Sensei!
Thank you for the recent post. I am preparing for a show and this reminded me of a painting I saw in NYC by Susanne Hellers. It was called “On the Heel Toe Express”. I was so taken with it that I decided I should do my own. Amy working on it now. Susanne walks from Brooklyn into the city every day and this painting is impressions of the walk, the painting is about 25 feet long, a collection of canvases hooked together. I have it posted on my blog, just scroll down in this post. http://carolinacreations.blogspot.com/2009/01/more-new-york-on-heel-to-toe-express.html
RE- Hiroshi—————sorry but what is it? Looks 2 me like somebody painted a wall & forgot a few places!!! Perhaps it looks different in –real– but I don’t see the point of painting things that the public can’t understand– or admire. Anyhow— carry on– if it’s worth money–it’s worth doing!!! But I prefer subjects with meaning.
I have for several years been trying to create the idea of walking meditations. My latest paintings have been long “scrolls”. carolmordecaimyers.com
POETIC.
WONDERFUL,WONDERFUL ART. THANKS FUYUKO.