Archived Comments
Enjoy the past comments below for The ’37 Club’ …
You have managed to confound me with this clickback. Are you saying that by your 37 minute “timer” Jane is making one stroke per minute? I am confused!
Rick – it’s either a painting done in 37 strokes or 37 minutes, which ever comes first. I think the 37 minutes would be easier. ;-)
Once a student of mine said he could do a better painting than mine in 20 strokes and tried. I replied that I could do better than his with ten. This finally got silly enough to get to five strokes. We were painting fast and the real value of this became obvious. 37 is a good number. But when you’ve mastered that; try, let’s say 20 minutes or strokes. Either one. But counting strokes makes you think more about each one than a time limit does.
Dear Robert, Like we do with children these days, I think we over diagnose artists too. ADD, OCD, Educosis…LMNOP, the list goes on. There can be a host of reasons for this. Blocked because they are tired of the gallery system, sad to see another artists meteoric fame, met someone or just easily distracted by something bright and shiny. It is these pathetic excuses and many more, that give being an artist a bad name. It really all boils down to Laziness. Any artist I admire and is a success says the same thing “They work hard at it”. So you can try and jump start their creativity with exercises in futility, painting pieces with 37 stokes, try Bungie jumping or any other form of thrill seeking. But the best thing to do is get into your paints. That also means, turn off the TV, put down the lap top, for the love of GOD stop posting profound statements on Phazebuk and WORK!!
As a person who occasionally kicks over the milk can I like to add a whole lot of nothing…in reference to this right brain, left brain belief. Scientist working on the mapping of the brain could only with certainty find where speech could be found. It seems most functions are random or can be wired where ever and nonspecific. They found that if a part becomes damaged a rewiring can take place and it does not exclude the side opposite to where the damage took place. As a member of the spiritual scientist we believe our mind exist outside the body. We have a creative mind and analytical mind which is connected to our spiritual self. When we are open and free from old beliefs, opinions and ways we then can allow new creative ideas to flow. It is important to have a desire to know what’s more one can do or not do (over work is often the case.) All art is a expression or blueprint of the artist. It conveys their mental and emotional state and attitude. On a subtle level we can read the imprint of the artist which may determine the potential to purchase the piece. I find it difficult to view works by artist who have a low self esteem and I am surprised if they have some notoriety. I need to keep reminding myself that it takes all kinds and maybe we are all perfect and dam if we are not!
Can’t wait to try the 37 min. exercise. Loved the 37 stroke version of Ms. Appleby. Thanks for all your letters. I always find something to think about in my personal journey.
I agree with you, John Ferrie! 100%!!
37 minutes is a rush, but sounds feasible. 37 strokes scares the bejesus outa me! I wish it had never been brought up. I’m going to have to try it now.
Good one John! Kick in the behind works 9 times out of 10!
I tried the 37 minutes the last time you mentioned it. What a great exercise! 37 strokes is much harder. I failed miserably at that one. You outdid yourself with today’s letter. Brilliant yet hilarious.
Just read your ” 37 club ” letter and I’m in! 37 has been my lucky number since 1967 when I was 11 yrs old and the movie Cool Hand Luke came out —-37 was the number on Paul Newman’s prison uniform —-need I say more?! —since then this number continues to pop up in my life in intersting ways —always good—– I took a workshop from Kim English years ago in Taos ——using the speed tool quite affectively —-quickness removes layers—–and brings out the essence——The workshop was figurative and three minute studies brought amazing results —–
It is the first time that I come across The “37 Club”. I have not attended many workshops nor any courses from a school of the arts. I understand some of the principles painters are talking about and the styles of the great masters, the color schemes, perspectives and color values. I think sometimes we have moments when we don’t seem to achieve the desired effects we hope to so I stop at this time and put it aside, sometimes I start another one. Most of my ideas are a product of my imagination and from memories of my early life that inspire me. I do have other interests so I do them in between. I feel confident with myself and feel content with myself. I keep striving to improve.
The lesson in this letter is exceptional. I will start it today.
Non-entertained artists are creative artists. Compulsion to make art, which all great artists seem to have, returns when the eye is no longer hypnotized by moving images of digitized screens. Thus, less blockages. Having a separate studio with items out and ready to paint also helps. So does putting away piles of resource material which can be the biggest time waster of all. The entertained eye often has lazy paintbrushes.
The “itomato” app is like a kitchen timer and it has 3 buttons. I just set one for 37 minutes.
After you’ve done the exercise, does that mean that all paintings thereafter must be done in short order? Or does one extrapolate and adjust ones normal time to reflect a more spontaneous approach? When does one make the change? I find that my stuff is overworked, but the quick stuff never seems finished or what I really intended to do.
The Pomodoro is the ideal timer
When you think of all the time-fillers we do–crosswords, horoscopes, or as you say Facebook and Tweeting, this exercise of yours makes sense. At least it gets the creative blood flowing and gives hope of increased quality for the future. Milan
Less is More……..more or less.
I agree with John about working hard at your vocation. There is no better antidote. If you want to be serious about your work you have to know yourself and if labeling helps then so be it. Working in 37 strokes, or other such methods of painting allows you to discover how you work by breaking your method down. At first this may get you more stuck untill you stick with it long enough to learn something from it – after all it makes you actually paint. Isn’t that what we are suppose to be doing? Sometimes we are our worst enemies in critiquing our own work and so leaving the painting 10% unfinished is better than 1% finished as Bob puts it and this method helps you do that. In my opinion fresh is best. But to be fair, joining the 37 Club will not necessarily bring you stardom but it may help you know you and your brush better. I have commented on how I worked through my pumkins in the last clickback if interested. I continue to be a believer in exersices recommended by the experts, and Bob certainly knows his stuff. Thanks for helping us “Stuckies”.
Okay I’ll jump from the pan into the fire. One thing not being said here is that this approach is to help those who are blocked or work too long on stuff. But for goodness sake, Please don’t think for one moment that this is the way to make paintings. This is an exercise everyone. Not a way to create art for exhibition, sale or the galleries. if it takes you 37 minutes to create it, it will take less than that for people to forget it and move on to the good stuff. I’ve seen the results posted here and personally if this passes for art, I’ve been working too hard, studied too long and spend a fortune on lessons –for nothing. I know I should soften my approach here, but please I don’t believe Robert was saying this is the way to create great art. It’s an exercise, just that. It will probably help when you return to your “normal” way of working
Painting doesn’t always have to be an Olympic event. How about seeing how many tubes of paint you squeeze out in 60 seconds, or how many canvases can you balance on your head while riding a bicycle. Then there’s the grueling, how many pencils can you sharpen in an hour. There are many more events, I have only mentioned just a few here. Have fun.
Cheryl, love that cat! I am a dog person, but I appreciate catitude and the way you painted it!
I must admit that I have sold nearly all of my fast sketchy type paintings. One of the first ones I did sold the day it went on exhibition. It was a painting of a golfer looking disappointed. I guess I should just trust to that. On my website there is a painting of apples in an orchard. It also sold immediately in my joint show. It was done probably in an hour. When I tried something more elaborate it didn’t work. I concede. Every time I try to extrapolate it doesn’t work to make something more sophisticated it doesn’t work.
Years ago I saw a short film on selling artwork. It was a riot to watch, and somewhat believable. This was in the early 60s, and a bw production. A guy had a large sheet of plywood on the ground. He dragged out all of his painting supplies including cans and tubes. He began painting like a mad man, even pouring paint directly on the huge board. Using a broom he smeared the paint around and then brushed and squeezed paint out here and there. He worked furiously, but then stopped here and there to stroke his chin and think. Finally he seemed satisfied and admired his work. Next we see him take a small circular saw and cut the large sheet into small pieces, then stood them all along the base of a wall. Next we see the man looking out over a large field and skyward. A small plane comes into view, circles the field, and lands. The artist is excited as a man climbs from the plane and walks toward him. The men shake hands and we see them walking toward the display of paintings. He walks back and forth, pausing thoughtfully here and there. Finally he points at one painting and a discussion takes place. The customer takes a large bundle of money from his coat and counts out some and gives it to the artist. The customer is excited, picks up his painting and re-enters his plane. He flies away. The artist is very excited and jumps up and down, counting his money. He stuffs it into his pocket and walks toward his line of remaining paintings. He scoops all of the remaining paintings and carries them to a swamp, where he throws all of them into the weeds and slew. Once again the man pulls out his wad of cash and excitedly jumps up and down, then walks off camera. It was a delightful film without sound as I recall. It causes me to reflect on all the paintings we artists do that rarely sell, as well as the few that pay the bills.
Anyone want to buy my pumpkin painting? I won a prize at the 37 Club Olympics without knowing it was a contest and now I have inquiries to sell it? Can an exercise be Art? – Why not? If it turns out to be a good painting (who says it can’t have come from an exercise?) What a painting actually is… is sometimes determined by the passer-byer (buyer). :) Good art is what moves people – the film has some truth to it. I have sold a few paintings this way – right off the easel. On Cypress Mountain for instance and the car did a U- Turn to get it. Making an art career out of this type of painting is a different story. What pays the bills is not what this is about. The level of professionalism of an artist varies and for now I do not mind being a professional “unstuck” painter – there are all types. May you continue to your beautiful work remembering it’s as individual as the artist. I’ve been painting up a storm since and am happy for that. Thank you all for these discussions too.
37 minutes of pure uninterrupted focus clear purpose Profound
I totally agree with you Rick.
Robert, thank you for the many wonderful, thoughtful letters you’ve written. This one, and the insightful, inspiring comments it’s generated, is the absolute best and a forever keeper.
Hey Thanks so much for the 37min advice, just started yesterday and loved my first painting. The best advice for me right now!!! Cheers
My questions about the 37 club are: * Does the 37 include a pre-sketch? * What sort of palette does a 37-er work from? * Is this a really small canvas or a really big brush- how to handle background? I have a feeling that you are going to say that there are no rules, it’s just a random parameter but I would still be interested as to how you begin.
This exercise was invented for me!!! You did this for me and all my hangups and what ifs and in 5 days the difference is profound. I can not wait to get to the easel, am having so much fun with this and it is only 37 minutes and it is over and there is something wonderful about that and non threatening. I am creating a little routine, do it before we go out, using colours I only dream about and it is on many levels working so well I had to share this!!
I am so glad I read this article! It applies to all of the arts – not just painting, and as I am a photographer – or at least fancy myself one (someone should – might as well be me!), I still found a great deal of wisdom in it. With a few “tweaks” concerning the hour-glass, the technique can work even for such self-nay-sayers as myself. I do believe I will be giving your ideas a whirl over the next few weeks (perhaps 37?). What a dream come true to visit BC, but distance and finances have taught me to be content with the beauty and art-worthy scenes that are all around me here in the Smokey Mountains of western North Carolina. The only good thing I can say for my work is that the photos I thought good when I began have dropped quite low in my regard, and more recent work has been more pleasing to me. It is an attribute that I hope continues! Thanks again for the inspiring article! Best wishes, <a target=_blank href=”http://paula-tohline-calhoun.artistwebsites.com/” title=”Paula Tohline Calhoun website”>Paula Tohline Calhoun</a>
Your 37 stroke idea reminds me of the Chinese and Japanese way of painting, to make as few strokes as possible to communicate your message in art. This is admirable and definitely requires less time. On the other hand, Van Goghs paintings of tiny brush strokes are so mesmerizing, I seen his Bedroom at Arles on loan to the Detroit museum and could hardly tear away myself from the painting. Van Gogh was good, his paintings were unusual and good, but really it was his personality that shines through, this is what made him great!
Desert Sublime oil painting, 8 x 16 inches by Bonnie Holmes, CA, USA |
Exactly … and very well said Connie! I think quality does follow quantity. Good for you.