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Enjoy the past comments below for Look who’s buying art now…
The sea change you write about thrills me. Not before its time! A few years ago I went to a high-end gallery in Yorkville, Toronto to see one of my favourite artist’s shows. As I am a woman, I was invisible to the owner who paid no attention to me, not even greeting me. I only buy art that speaks to my soul. One painting, more expensive than I could really afford, did want to leave that soul-less place and come home with me. And so, we are living happily ever after, together. Thanks, Robert for your marvellous, thought-provoking letters.
Just as your letter was seriously leaving me depressed and empty with all the stuff that leaves me seriously unimpressed and empty like “the name and the fame”, “high profile”, “investment art” “ceo”, you inform us that women are coming into their own and buying: “connection, shared experience, life enhancement, tailored quality, nest-and-nurture, soul-polishing”…. thank God, a balm to the soul, this news is, and, good enough good reasons to keep working.
Big Value In Bad Art ! Speaking of bad art, I sometimes retry to understand the continuing (and increasing) “value” of Andy Warhol ! It is my contention that his real talent was in marketing. I think he was a mediocre artist. He was great at “street theatre”, but that doesn’t explain why his pieces still “make the year” for some auction houses. Admittedly, sixty years or so is not a long period in art history, but it’s a pretty good run for a fad ! I keep holding to my fantasy that, after most of us “old hippies” die off, Andy’s name will fade with our “democratic arts” concepts. And, yes, I was also a fan of his, once upon a time. It must be the marketing ! I knew artists from that period. And knew of others. Some still alive, and some actually make a decent living from their production. At least one will probably be a remembered American sculptor. But, you can see the talent and the work and the growth in their achievements. Even many — many many — street level artists often display a greater capacity for statement, by any standards, than I can see in Warhol. Meanwhile, some of the world’s finest musicians play for sidewalk tips on street corners and subway platforms, while the “corporate monkeys”, who can barely scrape three valid chords together, get delivered to their next gigs in private jets and limos. I think I’m gonna go open a few cans of house paint, and sling the contents at a sheet of plywood, or maybe plaster board ! Any buyers interested ??? ~DM
Dear Robert, Your article has got to be the most honest analysis I have read in recent years. Many of us who are artists, observing the art scene, think very much as you do. The difference———you said it and loudly at that———-top of the hat to you friend !
Is it that women have better values than men? More imagination? Better taste? More sense? Or is it just less testosterone? Yes to all of the above. LOL.
Good observations. I’ve noticed the gender change in my modest buying public. Thankfully, I seem to appeal to them. The wise artist will work in that direction. Subject selection and (believe it or not), the naming of your painting seems to be a part of the appeal. Mixed with good color judgments and elegant execution and you’re cooking on all burners, just waiting for the economy to open up a little. (I’m working on all of that.)
Damn…I really, really, REALLY liked your letter today!
I’ve been well aware of this happening and this article really confirms this trend!
Your comments are refreshing. Maybe art will be valued for the quality of work and inspiration instead of the “game”. I am delighted that you recognize how the male psyche sometimes skews reality to meet competitive needs. How sad. I hope this era of male dominance is over.
I loved this article. I am an artist, a woman, but I buy art also. Not for resale, first and foremost, it has to be a wonderful piece of art, but color does matter, it definitely has to have some emotion to it. Go Girls, buy that art.
That was an extremely interesting post today. I hope that trend manifests; I think we would definitely see huge changes in “style”.
Women connect everything to their emotions….they imagine living with this new thing, how it will fit into their space, how they will feel when they see it in the morning. This is true of a frying pan, a new painting, even a man.
These stats are interesting. I’ve noticed that shows like “cowgirl up” in AZ is growing in popularity. Women can’t join Cowboy Artists of America, so they have their own show. There is a rich variety of work, sales are brisk, and prices are more reasonable for similar quality to the guys’ works. Perhaps invitational womens’ shows are selling well because, like you point out, more women are “bringing home the bacon” and making decisions about discretionary income. Whoo Hoo!
After last night’s letter, 4 of my artists have forwarded it to me. I read with great delight the fact that I have based my business plan on exactly what you are saying. Recently I have opened a studio gallery, in the popular Function Area of Whistler, home to many artists and design stores. The emphasis is on a working studio gallery with lots of demos, classes and pure and simple enjoyment of the art, my idea is that there will always be an artist at work. The doors have been open for 4 days now, and everything points to success. A large portion of the sales I have made at other galleries are to women, and that holds true here as well, this gives me the opportunity to focus on the art that women want. Thanks for all the great work you both do in keeping us all informed.
I found that it’s much harder to sell art to a woman than to a man. Guys just do it. Women need more “massaging” into it. I wouldn’t worry too much that women will outnumber men in the arts soon. Women still make babies and creating art does require a lot of life altering decisions.
I too enjoy observing the habits of art buyers. I think your comments on gender differences are right on the money. I prefer that people buy my paintings because they connect with them, but I don’t mind if a collector considers them a good investment too!
As a male artist, who has participated in numerous group shows, I can unreservedly confirm the validity of Robert’s observations. The majority of artists exhibiting are women, and the majority of purchasers are women. What I object to are the generalized gender stereotypes applied to both men and women. Women “not interested in the game, name or fame….women have better values than men? More imagination? Better taste? More sense? “. Come on, Robert, you can do better than that! Isn’t the most important thing to paint with passion and commitment, regardless of gender, race or creed? In a world of 7 billion people you will find your market.
Ed, ditto your objection to “women have better values than men? More imagination? Better taste? More sense? ” How those traits are expressed may vary between the sexes but the traits themselves are there in both. The bulk of my sales seems to come from women as well. While I know women who have bought art for investment purposes the bulk of them seem to buy from a perspective of personal preference and emotion versus perceived or eventual worth. It’s deeply rewarding to know that your work is being bought because someone loves it and must have it. That said I’m appreciative of anyone who spends their money on my work, male or female.
In the world of $$$$, what’s really going on is a sea change through the complete devaluation of the dollar and other major currencies. Stocks are over-valued, gold and other commodities are becoming the top investments. Art is better than holding cash. Women buyers have always been valuable for the artist, but there weren’t enough of them! I’ve personally had many passionate men collectors who bought for their own taste. What’s leaving the game is the “new rich” collector who bought for the tertiary market.
I am what they would call an “emerging” artist and like most artists in this current economic climate are finding sales few and far between. I was encouraged by this letter “Look who’s buying art now” as I have also come across these stories of richer men buying art purely for the game of prestige. Sometimes I think that my atmospheric traditional scenes don’t stand a chance against some of these high flying contemporary art practitioners who seem to rake in the cash. Hopefully with the trend you are suggesting with art buying women and a future where the economic world pulls its head out of it’s collective butt I might see more success. I will also try some abstract style landscape/streetscape as I do believe that artistic versatility is also warranted.
Road to Waterton oil painting, 40 x 60 inches by Gordon Lewis, Regina, SK, Canada |
When I visit a gallery with my husband I am usually ignored which is nice because I like to take my time and look at the art in peace. I guess I’m viewed as the dumb wife even though I have not said a word. This was really apparent when we visited a gallery in Kona, Hawaii. The gallerista constantly pestered my husband who didn’t even want to be there. I’m an artist and a collector with money to spend, money that I didn’t spend there.