After the electronic shower of your New Year’s resolutions, (and my own resolution to grow my hair this year) I was passing my easel and paused to note its magnificence. Like many artists who wrote to mention that they don’t believe in resolutions, looking at the upright, decent instrument that my easel is, I realized that, with its help, things pretty well take care of themselves.
Then through the veil of the remaining Christmas nog, I was remembering that time in Vejer de la Frontera when Jack and I were set up in a narrow cobbled street. Some playful Spanish kids had crept up behind us. At what they thought was an appropriate time, they fired off a couple of strings of firecrackers. Jack and I only glanced at the ruckus and at the hysterical, running kids. We were like a couple of cud-chewing cows, our minds dulled to any potential doom by the simple demands of our easels. The sky could have fallen and we wouldn’t have missed a stroke.
Stroke: It’s simply a matter of putting the right colours in the right places and doing it well. Touch: Touch can be tender, casual, tentative, bold, curved, straight, thick, thin, sensual, energetic, dramatic or violent. Words: Design, pride, joy, grand, flourish, style, quality, work, play, confectionery. Thoughts: Waiting for the right mood or inspiration is counterproductive. Inspiration comes from doing. Action is more valuable than thought. Preparations: To take moments to scrape along the golden riffles of memory. To cruise present as well as old reference. To decide size and format. To make sure that the tools are ready to go and that supports and materials are readily at hand. To decide to pre-mix colours — or merely to squeeze. To raise or lower a daring blank canvas to its beginning height. To realize that all other artists, living and dead, are sitting right here beside me. To turn up the Mozart, to count blessings and to commit. Regrets: There is never, never enough time at this place.
PS: “I’m as happy as a cow in her stall. That’s the only place where everything is all right.” (Louise Nevelson)
Esoterica: “Easel living” is not necessarily easy living. It’s a low-tech station where toil makes miracles happen. Like a lot of the important places, little things mean a lot. Light, music, handedness, ready ideas and subject matter all play a part. Whether your easel is in the bush or the basement — it holds a promise of well-being and self-sufficiency. With all of the frustrations to be had at an easel, there’s also a cozy smugness. Your easel is the nuclear sun of an uncommon universe.
This letter was originally published as “Easel living” on January 6, 2004.
The audio letters are now ready to give as a gift!
The Letters: Vol. 1 and 2, narrated by Dave Genn, are now available for download on Amazon, here. Proceeds of sales contribute to the production of The Painter’s Keys.
“This is the place of creative incubation. At first, you may find nothing happens there. But, if you have a sacred place and use it, take advantage of it, something will happen.” (Joseph Campbell)
Take a winter break! Join me, Hermann Brandt for one or both of these retreat/workshops in sunny Mexico.
Casa Buena is a gorgeous art retreat center, right on the ocean. Jane Romanishko is a fabulous host and goes above and beyond to make sure you have a fantastic time. Included: Most art materials, meals, accommodation, a jungle-river boat trip and several sightseeing ventures. For beginner to intermediate level artists. Figure drawing (Feb 14-21) – from life; nude model. Plein air (Feb 21-28) – beach scenes, fishing villages and surrounding hills. I look forward to sharing a time of fun and learning.
I seek to paint the essence and beauty of the natural world, land and sea impressions, textured nuances of tree bark or beautifully imperfect jars of clay.