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Enjoy the past comments below for The fine art of fooling around…
Get a three or four year old to play with your paints with you. It is a surefire way to learn new things…I mean YOU will learn new things from the child! Really! Other effective play-modes that work for me are: limited palette of usually unchosen colors, paint with something other than a paintbrush, make a rule for this one painting…i.e., all horizontal portions will be dotted and all vertical portions will be red!… , drop paint from various heights on a canvas lying on the floor, paint only negative space, use a wild color as a ground, use raw pigments with shellac or sandy varnish, paint impasto and then cover with plastic and walk on it. Try resist — watercolor and oil — wax and gouache — glue and washes–stains only — grainy,non-stains and lift-off to “find” the subject. Such fun, really. :) And you will find your head full of new ideas that will invigorate your future work.
Dear robert, This letter arrives at an unusual time. I am between shows and just finished two very cool paintings, one was sent of to San Francisco and the other was sent to Sydney Australia. There are a few embers in the fire with some projects for the fall and a commission of two may happen. but I am twiddling my thumbs and trying to recapture my youth. I am on the eve of turning 49 next month and everyone I know is telling me Ill be 50 next year! I don’t think I will ever be old and still think i am 35. Art supply stores are always a great inspiration to me, then again, so is a paying client. The other day I was intrigued by some graffiti supplies i found called “KRINK”. These are used by the young, hip-hop crowd for tagging and marking their territory. There are cool pens, squirt bottles, spray paints and all sporting different nibs and nozzles. The colours are super sonic and inspire images that pop with colour and drips. I am now looking at street tagging in a whole new way and rethinking my approach to canvas. so, I have my ball cap turned around backwards, i am wearing HUGE pants with my boxer shorts exposed and i have dusted off my Chuck Taylor’s. ok, ok, Im almost 50, i don’t look it, but i am fighting it every step of the way. That is me today, John
While conducting an ‘en plein air’ workshop in Charlevoix Quebec in 2008, I handed out signs to be placed in the student’s car windows to identify that their cars (off to the side of the road) we’re not disabled but rather there for a specific purpose. The signs would ordinarily read – Artistes au Travail (Artists Working), instead I made up signs that read Artists an Jeu (Artists Playing). it helped to set the tone.
The trick is to be aware of that balance of “conceive and execute” and the “foolery way”. They are both essential in the creative process, and the ratio is constantly changing. Too much in either direction, and the result is not interesting. The words of an older painter friend pop up occasionally to free me up: “Go ahead…waste some paint!”
Even though these 3 new images are purely abstract, I can still see: your unique paint applications eg ‘Genn grays’, and other typical blends in small hits; objects, scenery that have appeared in your landscape paintings. And how unique to have Zoe’s touch.
Thanks for your latest news letter on the fine art of fooling around. I found it very encouraging because that is what I do most of the time. I wrote about it on my blog. artistsusanharris.blogspot.com
I fool around in the composition portion of a painting. I get a little technical in the middle of the process, and in the end I get to fooling around again with the finishing touches. Once you have a painting drawn and painted, the real fun begins in the end, when you can be expressive with color. http://www.ghangebrauck.com/Pages/thumb_page_1.html ( cheap plug, recent work )
This came at a good time for me when I was really stuck on a painting and really not getting anywhere. I threw away the reference photo that I had been working from (that wasn’t working) and just threw a load more paint on my canvas, changed a few things and now it looks a lot better.
I love the three pieces! Your letter and photos revived me. I delight in these recent works! I feel that a time may come again for me to able to become enveloped in my first love and longest affair of my heart. If a magic art witch could get me there, I will be forever grateful to rejoin my Soul.
I have been fooling around and came up with these shoes, now they are part of my “Beguiled, Beautiful yet Dangerous” series. They speak to womens’ issues or not, the pain we go through, self made or not. Blue hues of paint drip like blood down the heel they could be done in ruby red slippers, too. I re-purposed a bottle of Blue Saffire gin and I’ve been using wine bottles left over from art openings. Check out my new web at www.chappellfineart.com click on the galleries to see some of my new work. Your opinion is always appreciated!
I’m having a great time fooling around with 11 watercolor paintings I started on a visit to the Northern California coast this month. Though I’m physically back in Wisconsin, I’m still out there on those beaches while I tweak the details out of the dunes, rocks and surf I enjoyed so much.
Thanks so much for this missive! I kind of wish I had read this, say, 30 years ago. Where I appreciate the accumulation of skill in what I do, quilt making, I do wish I had “fooled around” more along the way. I was way too bound up in following a methodical way of making my quilts. Now that I’ve gotten to be an age that people view as a more serious stage in life and work, I find myself far more playful in what I’m doing. And even with a somewhat “serious” subject like angel icons, I find there is so much satisfaction in playful expression and surprise. Sometimes lovely things come out of just going with the spirit of “what-the-hell”.
*Play Much Creating dreams, delivers us from ourselves; art brings in the good, refuses to accept the bad emotions rise we find true light igniting our pain to all humanity, bringing lasting ,real joy and hope! amen
What a chair! I had one like that in one of my classrooms when I first began teaching well more than half a century ago. No wonder I never had backaches back then.
Wow… Now that’s an ugly chair.
I think that’s a beautiful chair! It’s GORGEOUS….
Ah -ha! It is the perfect chair, allowing for freedom of movement, positioning of the body – and I love those foot rests (:
I have a similar heavy duty gray-metal chair. The seat wobbles and the back-spring squeaks a bit. The embossed logo on the back has wings and says ‘Curtis’ in the middle. The seat and back are slightly curved and thinly padded against the metal. Regular swiveling wheels by BaSSicK. It’s much more comfy than my lighter smaller studio chair. Looks like 40’s or 50’s styling. I use it at my computer, but hadn’t thought of spinning to the other direction and using it at my easel! Thanks for the idea!
I love that chair! I have a guestion. I just finished with a juried art show and recieved a “merit award” due to the framing. The painting was a small oil of three pears. It was rather elegant looking and I framed it in a gold elegant frame. Can you refer me to new articles regarding this subject? Thanks.
I have that chair! I’m gonna dust it off and give it a try. I just need to figure out how to make it higher and how to stop one caster from falling out. Thanks so much.
The soft chair is a function of our current obsession with comfort. This wasn’t so in the twenties when the flappers were thin and minds were alert. Vive the twenties chair.
If you don’t make errors, you’re not making progress. The obsession with perfection is more to the point. That’s why so many need therapy. Let go, make boo-boos.
Here’s to Gottfried Benn and Robert Genn
La Esquina oil painting by Tom Dickson |
And you carry that joy very well, as evident in this great painting.