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Do I need a mentor?
Mentors come in two kinds: those who advise you about your work and those who will use their influence to advocate for you as sponsors. Like most meaningful relationships, both grow organically, one perhaps into the next, and the benefits are meant for both parties. Rather than “Get a mentor and you will excel,” think, “Excel and you will get a mentor.”
In Sheryl Sandberg’s 2013 leadership manifesto, Lean In, she advises would-be mentees to look for solutions to specific problems rather than give vague help or hand holding. Do not, says Sandberg, seek out a mentor with the idea that you will be whisked away on a white horse to live happily ever after
Call of the Wild
A beautiful woman came and sat at our table. We have known her for many years. She was married to a good friend of ours who died one year ago on New Year’s Eve. Anna is an artist and a mother. A few years ago she ran away, back to the country of her birth, Denmark. She took virtually nothing with her: a few photos of her sons, an unbelievably small amount of money, and a little red book that contained the addresses of the good people in her life. From her new home she divorced her then-husband and married another Dane
Your digital archive
With a photo habit, you can visually keep track of work over time, and collecting your own images allows you to offer accurate, quality-controlled snaps to anyone who asks. Here are a few ideas for a better photo archive:
It’s not necessary to kit yourself out with reflectors and other professional lighting aids. You can get natural images by taking advantage of even, ambient daylight. Hang the painting on an easel or wall and perpendicular to a large window, under a skylight or outdoors in medium shade or cloud cover. If the work is on an easel, make sure there’s no backlighting…
Adaptation
Recently, Jerry Smith from Dallas, Texas wrote, “I painted in watercolour for many years and then became mentally unable to paint, suffering with Parkinson’s and depression. I’m proud of my paintings but I felt compelled to give away my paints, brushes, supports and all other materials. The good news is that I have replaced my painting with poetry. I’m just a novice poet and have much to learn. I wonder if any of your followers have similar experience and how they dealt with it.”
A touch of genius
Back in the home studio with my faster computer I’m doing some of those personality inventory tests on line. According to the “Keirsey Temperament Sorter,” for example, I’m what they call an “Idealist Champion.” This gives me an idea of who I am, where I’m happiest, what sort of a mate I ought to have, etc. What I really want to know is what I’m good for. To put it with a little less humility — am I a genius?
Rock Water and Wood
Whimsical visions of the natural beauty of the mountains, lakes and forests of the Kootenays…
Should I or shouldn’t I?
One question arrives in the inbox frequently — it has to do with an email solicitation that some artists receive from a gallery in New York. It looks like this:
Dear _____________,
I came across your (your medium) on your website while I was doing research online. I wanted to take a minute to introduce you to our gallery, and inform you of our exhibition of (medium and subject matter with a link to the previous year’s online catalogue.)
Agora Gallery has been in business since 1984 and is located in the heart of New York’s famous art district, Chelsea. A well-established gallery, we provide promotional services to talented artists such as yourself, for which we charge an annual promotional fee
Why talk?
Yesterday, a New York art consultant emailed with a list of questions:
What inspires you to create your work?
How do you relate what you do today to the art of the preceding decades?
Are you very interested in what other artists of your generation are making today? Does that inspire you or do you push forth your own direction despite what goes on anywhere else?
How do you see your work moving forward in the future?
Triple-think
After a one-person show a kind of post-partum psychosis sets in, which generally lasts for a day or so, then, for some reason, there’s a need to go back to work. Looking for the secret at the easel, I remembered: “It’s a matter of thinking one thing while you’re thinking of other things.” A modest understanding, but it’s useful. Often we merely push on — leaving the work to evolve in the hands of the gods — very much as a potter surrenders his clay to the “Kiln God.” Sure, there’s a place for intuition and just letting flow — but there’s also a need to bring in all of the strategy we can muster.