by Rick Rotante, Tujunga, CA, USA Art for me is a meditation. It’s a form of self-discovery and relaxation. Mind you, while learning this craft, the opposite was true and caused me no end of stress and turmoil. Now that I have a handle on technique and methodology, painting has become my equalizer. What is wonderful about this process is each painting is a new challenge. You can’t rely on what you’ve learned except as a catalyst to move forward and attempt something new. The joy and wonder of every painting keeps me painting. Many times I’m surprised at the results. No matter what my intentions at the outset, the end result is a wonder to me. I’m fascinated with what color will do while we create such amazing things: the illusion of dimensionality, depth and life from linseed oil and colored powder. There are 2 comments for Fascinated with the illusion by Rick Rotante Calm, steady and joyful by Alice Larsen, Sebastopol, CA, USA This letter was particularly wonderful. I loved the meditation part especially as it’s something I have been doing for many years and it seems to be the thing that keeps me going in a calm, steady and joyful place. My husband, Robert, and I practice Kriya Yoga. Not only do we find peace with the practice but we also get lots of health benefits from breathing deeply, as cancer doesn’t like oxygen and our healthy cells do. Thanks again for a well thought out letter. Conscious observation by Tiit Raid, Fall Creek, Wisconsin, USA The “sublime gift” for an artist, and for anybody for that matter, is the ability to see the appearance of our everyday visual world on a more conscious level. From this accurate observation, sooner or later, everything we need to make our lives and work fuller, richer, and more complete will come. Without accurate observation – to see the world as it is, and, ourselves as we are – it is impossible to rise above our preconceptions, expectations, thinking and emotions. Most every art student and artist I know has had ‘it’ within them from an early age. What is that ‘something’? My guess is that what separates them from others is their ability to see the appearance of the world. But, this is an ability that is not exclusive to the artist. Anybody can develop it through taking the time to observe what things actually look like. The visual world is wordless and silent – to see it we need to observe beyond names and labels and knowledge. Basically, as we take the time to observe the appearance of our everyday world, we begin to become more aware of the subtler details and relationships within shapes, tones, and colors. Gradually, through this meditation, the world becomes more real and actual. We wake up. But, this ‘waking up’ is not a permanent state; old habits are hard to break. It requires and needs constant ‘meditation’ and attention. We can never assume that we see well enough. There is 1 comment for Conscious observation by Tiit Raid Meditation helps everything by John F. Burk, Timonium, MD, USA You are on a wise path, noticing the benefits of meditation and how it affects, well, everything. I was pointed to Dr. Herbert Benson of Boston, and his ‘Meditation Response’ as a way of dealing with hypertension years ago. Another doctor is dealing with it by the use of Lysinapril, but Dr. Benson’s therapy has helped enormously in every other respect, and helped with the original problem. Attitude is everything. Meditation helps. There are 9 comments for Meditation helps everything by John F. Burk Intuition wiser than intellect by Marney Ward, Victoria, BC, Canada It’s not surprising that you find that artists with the “sublime gift” of self-awareness tend to be those who practice or have practiced meditation of one kind or another. I have practiced Transcendental Meditation daily for almost 40 years, a process that gradually unfolds the more subtle levels of consciousness, allowing the individual to become familiar with the most intimate levels of his own mind, particularly those sub-conscious levels we understand vaguely as intuition or gut-feelings. Over years, one who meditates becomes more tuned into the subtle signals his or her body is sending out, the red flags that we might previously have ignored or discounted, perhaps an increased tension in the voice or muscles that suggest it’s time for a change of pace or a change of scenery. We learn to trust our intuition; it knows more than the intellect can ever know. Time and again I have overridden my intuition with some logical rationale, only to discover that my intuition was right, because it’s based on a more profound level of knowledge deep within the consciousness, not on the more limited knowledge available to the more superficial intellect. An artist paints from these more subtle levels of consciousness. The experience of painting is in itself a kind of meditation, which is one reason time passes so quickly when we are engrossed in painting and why it often feels so blissful. Meditation helps bring about a state of wholeness, and so does the artistic life, if we can survive the superficial hardships that often keep us company on the creative path. Meditation helps us put it all into perspective, to realize what is really important and what is a small obstacle along the path. Meditation also hones all the senses, gradually unfolding a completely different way of seeing. It really does cleanse the doors of perception, to slightly misquote my old friend William Blake. Not only to see the world more clearly, but to see ourselves. There are 2 comments for Intuition wiser than intellect by Marney Ward Meditating with graphite by Tatjana Mirkov-Popovicki, Port Moody, BC, Canada The label “sublimely gifted persons” didn’t sit well with me today. Sometimes we get sublime, and sometimes we are awful. Are there really people who are able to always walk on clouds? If there were, I wouldn’t trust them. I’d rather pick a genuine occasionally grumpy person made from flesh and blood, laughs and curses any day. I know a few “happy go lucky” people, but they usually have a “worrier” in their life who makes sure that the problems get solved. When I have a problem, I attack it and I am happy when it’s solved. I would resort to meditation or other sources of help, only in situations with unsolvable problems. I think I can see what you are getting at — bad attitudes causing difficult lives, and I agree with that when bad attitude becomes a default, but the way you went about it, I didn’t find digestible. I think that there is nothing wrong with a little bit of a tactical bad attitude applied sparsely — it may even help you get a better service at times. Incidentally, I had a sublime January, but now I am going through a very stressful few weeks. I think that I will spend more time doing my meditative graphite compositions and mull over the problems until I find solutions. There is 1 comment for Meditating with graphite by Tatjana Mirkov-Popovicki Art is his lifeline by Bill Skuce, Sooke, BC, Canada Uncanny… you have described my close friend, 74-year-old Keith Johnson. Deeply in love with nature and grounded in Zen Buddhism, Keith lauds the merits of meditation and has lavishly imbued his thinking with the tenets of Zen. Having become close friends with him over the past two years I have grown to admire his artistic practice relating to both painting and drawing. He has filled dozens of hardcover sketch books with drawing studies, sketches, plus copious and fastidiously written notes. He loves painting plein aire but has a large, detached dream studio, wood-burning fireplace, sky-lights and all, where he has devoted many hours of his retirement years to painting. Keith’s attitude toward himself and his work has been a mix of passionate quest, humility, self-doubt, and total dedication. Last year, when his health began to fail, art was his lifeline. Months of chemo weakened him but when he could he would draw. Last summer, with the encouragement of some artist friends, he painted almost daily in his semi-rural back yard; six weeks and a dozen paintings later, Keith, having taken his process to a new level, had produced a suite of his best paintings ever. When told in September he had 12 to 18 months left to live he was clearly shaken. For a few months anxiety didn’t allow him to paint or meditate but, when he was able to, he would draw. Last week when we visited, I was thrilled and impressed to see he had regained the high ground and that his “sublime attitude” had returned. Along with it was a revitalized security in his drawing process, a return to meditation, renewed vision of what he may yet achieve and fresh resolve to press on despite his weakness and pain. Keith is my hero. There are 7 comments for Art is his lifeline by Bill Skuce
Archived Comments
Enjoy the past comments below for The sublime gift…
The Sky Falling or roof beams beginning to crash all around: Our social fears catching up with us or physical structures of day to day life in collapse. In an age of twitter a single acorn hitting one head can cause nations to fall; and as humanitys environmental possibility narrows to a dark feathers edge it becomes a Zen Masters OM. A painters gift? Or a poets curse? Ones pain? Anothers pleasure? With each a Ravens laughter. Jim Larwill Lac Bussiere, Quebec wolf@ncf.ca
This “attitude” it is a way of living without words or ideology. It is like a cloud – it is there, but if you try to grab it you don’t obtain it. If you try to explain it you lose it. Good luck in trying to talk about it – you have better luck talking around it. Taoism comes close I think.
After a near death encounter I realized that there is no reason to doubt that what we do here only enhances our future after-life. If the fear of death is removed, all creative work become meditative.
Your post reminds me of a couple of artists that I know and have admired for their ability to continue working regardless of life stresses around them. One of these artists continued to work throughout cancer treatment creating amazing personal works. I have seen both of them become undone by other things, like having too many committments, but when it is time to work – all focus. This amazes me and I would like to understand how to do this for myself. I am just the opposite; calm and organized, handle lifes stresses pretty well, but distracted easily when I paint. Even if there are no distractions around, I go looking for them!
I started an art festival in Spain, practically by myself, if it hadn’t been for mindfulness–I never would have made it. Now it has a full and wonderful staff and I have moved back to what I do best–my own artwork. One minute meditations at stop lights are great!
We are a hopeful bunch of reserved fortunates. Akin to egg whites in the soufflés “bowl of life — we fold in and out, lightening up whats around us. Expanding in an engaged direction of choice — we take the heat, grow with the flow, enduring with every opportunity. Soon we stand acquainted with success; whom without constant endeavour and constructive discontent — would never find any rest.
Especially fascinating letter. I’ve done “art work” all my life, but within the last year began watercolor for the first time. I have a hard time beginning a new painting, but once I do I hardly stop until it’s finished. I lose all track of time while I’m working, and when I “come to” I realize I have no memory of most of the working period – mind a complete blank – don’t remember thinking about anything. What’s wonderful is that I feel almost limp – completely relaxed. For me, painting is the perfect stress eraser!
Uncanny…you have described my close friend, 74 year old Keith Johnson. Deeply in love with nature and grounded in Zen Buddhism, Keith lauds the merits of meditation and has lavishly imbued his thinking with the tenets of Zen. Having become close friends with him over the past two years I have grown to admire his artistic practice relating to both painting and drawing. He has filled dozens of hardcover sketch books with drawing studies, sketches, plus copious and fastidiously written notes. He loves painting plein aire but has a large, detached dream studio, wood-burning fireplace, sky-lights and all, where he has devoted many hours of his retirement years to painting. Keith’s attitude toward himself and his work has been a mix of passionate quest, humility, self doubt, and total dedication. Last year when his health began to fail, art was his lifeline. Months of chemo weakened him but when he could he would draw. Last summer, with the encouragement of some artist friends, he painted almost daily in his semi-rural back yard; six weeks and a dozen paintings later Keith, having taken his process to a new level, had produced a suite of his best paintings ever. When told in September he had 12 to 18 months left to live he was clearly shaken; who wouldn’t be? For a few months anxiety didn’t allow him to paint or meditate but, when he was able to, he would draw. Last week when we visited I was thrilled and impressed to see he had regained the highground and that his “sublime attitude” had returned. Along with it was a revitalized security in his drawing process, a return to meditation, renewed vision of what he may yet achieve and and fresh resolve to press on despite his weakness and pain. Keith is my hero. Some of Keith’s work can be seen by Googling “Keith Johnson, painter.
As a fiber artist working primarily with textiles it is unwise to multi-task when one is holding and cutting with a razersharp rotery cutter. Or a mat knife- 2 tools I use all the time. I’m sure many other media/systems- like woodworking with power tools- require a refined ability to pay attention to one’s tools/processes- lest one cut one’s finger off. Drawing/painting doesn’t so much require the same kind of attention. I am about to begin construction on 2 new series- and so I am cutting out an enormous amount of ‘parts’- reducing a huge amount of my stockpile of heavy duty industrial weight textiles- and these textiles require even greater applied attention so as not to do damage to me! Yet it is all in a meditative state. I love my dis-memberment process as much as my re-memberment process. My understanding of things is that if you work your processes long enough they become a meditation. Still- I can’t pay the rent at the moment and could at any time get thrown out of my studio…
“Mindfulness is a lifetime engagement — not to get somewhere else, but to be where and as we actually are in this very moment, whether the experience is pleasant, unpleasant, or neutral.” Mindful Living Programs
I do appreciate your news letter very much. It is filled with insight and human strengths plus how to overcome weaknesses. The quotations are especially enjoyable and thought provoking to read at the end of your essay as they relate to what you had written about. I particularly enjoy the quotes from artists in their dog days and writers that have similar or the same sensibilities as visual artists.
Sublime what a huge word, should be used VERY sparingly. Who do you think deserves to be in the sublime category? Meditation Selbsterkentnis ( be true to yourself) makes you wise but not sublime! In need of stress reduction? We are a society of self centered people, go one night and stand under the stars of our universe. That will bring you back to size and humility.
This is so beautiful and timely for my life right now! It is going in my journal and I know it will be life changing.
A fellow artist forwarded this to me. I also meditate, am an artist and spiritual seeker and I find everything said in this letter to be true and applicable. He says it beautifully!
Yes, you have captured the “sublime gift” in all aspects of its existence. Thank you. You are so very gifted in being able to bring the enormous number of bits of reality together to the final conclusion of verbalization or to the point of realization and opportunities for discourse. When I read your work, I exclaim to myself, “Yes.” (repeatedly) Thank you. I bought four of your books and am sharing them with special friends.
Mindfulness is key… sage advice on how to disentangle from the mundane pressures. Thank you.
Thank you for these encouraging words. It was exactly what I needed for today.
We are an over-mediated society. Much of it shows in the addiction to entertainment, ranging from cheaply written sitcoms to professional sports, by way of video games, and imbibed or ingested “attitude adjustment” ranging from alcohol and pills to bad food choices. Being entertained and playing are not the worst of it, however. The worst is the solipsism that leads one to either identify with or emulate a fictive element of our culture. Usually all this can be traced back to an over-ingestion of media product. One of the things that can ameliorate the bombardment is a practice of mindfulness. Diving headlong into an art process can certainly be one of these practices. The point is to be doing what you are doing, without dangling a lot of other associations on it. Filtering out — not ignoring — the intrusions of an overly-manifest media culture, is absolutely necessary for a sound life during modern times. Some do it without even knowing, without having to try overmuch. Others struggle with it. One thing that is certain, it’s worth the effort to be free of the servitude that many media providers will gladly serve up.
I like this piece a lot. I have a funny habit of getting myself in the right mood to start painting every day. I slowy peel an apple or any other fruit for that matter, and eat it very slowly while looking at the previous day’s efforts. That clears my mind, and gives my hands something to do, while I think and process my work. Mien Greyling [27823324031@vodamail.co.za]
In response to your request for comment, I would just like to add some more thoughts on “meditation” from the Good Book (the Bible), which has a lot to say about many things, including meditation, and which, as I believe and practice its teachings and follow its Saviour, the Lord Jesus Christ, gives me peace and anxious free living, and inspires me to do my best in everything I do, not only in art. (I assume it is acceptable to mention Christianity as well as Buddhism in this context.) Instead of emptying one’s mind as in other forms of meditation, we are told in Colossians, chapter 3, among other things to “set your hearts and minds on things above”, and in Philippians, chapter 4, that “whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable – if anything is excellent or praiseworthy, think about such things”. In Psalm 19, King David, after declaring the beauty of God’s handiwork in creation (how can artists of all people not see as they “create” their masterpieces that the “master artist” had to be the creator of the “masterpiece” that is the beauty of of our world?), asks, “may the words of my mouth and the meditation of my heart be pleasing in your sight, O Lord my Rock and my Redeemer”. I am wondering if there are there other “Christian” artists out there??????
Sandra, There are a number of definitions of meditiation. The Christian versions are usually not the same as the Buddhist versions. Christian meditiation is more like Raja Yoga as I understand it. There are some similarities, but they are different species. There can be an “instead of” but I know Christians who prefer “in addition to” and succeed marvelously.
gayest painting ever
When I think of meditative mindfulness and art, 2 disciplines I have encountered come to mind immediately. Sumi, and egg tempera. In Sumi, the grinding of the ink is meditative, as is 3 dips of water, 50% ink and water, and finally 100% ink tip of brush before one makes a stroke. Then in egg tempera the tiny strokes made because of the surface area of the paint needs to dry completely, causes a bit of meditation, certainly patience unfolds. Both of these media are tied in with spirituality, with egg tempera being more photorealistic, if that term can be used for a medium used before the use of the photo. In each of these, one must not get lost in the making of individual trees in order to communicate the forest. Sumi requires a lot of practice before one can become proficient in communicating worlds with a few well placed strokes. Color is muted or monochromatic. In egg tempera, colors are jewel like, but the interaction with the medium in the breaking of the yolk and mixing of the dry pigments into the buttery mix, pulls one into the studio and puts the blinders on the horse as he heads out of the gate and the artist forges forward unaware of falling beams, or in the case of egg tempera, rising floods, as in Florence where the paintings are being lovingly and painstakingly restored to the vintage original quality.
My running, cycling or swimming promotes my mindfulness and intentions to my creative tasks as I clear my mind and focus and later regain my concentration on the project I am painting or planning.
what? when? and for who?
Family Connections alabaster by Betsy Evans-Banks, Tucson, AZ, USA |
Your painting holds me spellbound. The seeming 3-D-ness of it draws me in and makes me want to look further into and behind the image.The composition and colors are sublime!