Archived Comments
Enjoy the past comments below for An object of beauty…
*Like a lot of artists, I don’t read a lot of novels. I think it has something to do with not releasing yourself to another persons imagination.* But if you didn’t release yourself to another person’s imagination, you would keep yourself from a whole lot of interesting things. Personally, my imagination is enriched by reading a lot. It helps me see things from different perspectives, for one thing, and it has also brought my attention to things that I might not have noticed or known. Read a lot, I say. The more you know about the outer world, the better for your inner world.
Oh, my goodness!! The world is in books. I worked with a writer once who said, over and over, “The basis of our civilization is black type on white paper.” This will probably remain true in spite of our newly found electric “books.” The paper makers may suffer a little, but type of one kind or another is still super important. Well, I suppose we ought to add that a civilization is also known by its art. But to ignore the writings of the ages is a great loss. I cannot understand how the creative ability of another artist, writer, painter, whatever, is a distraction from whatever desire or talent to create art I have. If you read these answers, Robert, this old guy says to you, “Read more, Robert.” It’ll help, not hurt.
OMG!! What a hoot!!! How interesting to have mentioned Humptulips!! It is not toooooo far from Dosewallips. Now, is THAT a pair to draw to or what!! You all have an excellent day there. You made me smile—–
Robert, you are a hoot !!! Love and look forward to your words of wisdom – twice a week – don’t know how you do it !!! Wishing you and all the team a happy and prosperous New Year (prosperous has a nice ring to it)
Got it for Christmas and I’m looking forward to reading it and passing it on to another artist friend. Happy 2011.
Not read fiction? Are you kidding? I love novels! People always ask me “Where do you get your ideas for your paintings?” and I tell them how voracious a reader I am, everything from Jane Austen to J.K. Rowling and back again. And I am happy to know Steve Martin wrote an art novel. More reading fun! Recently Mr. Martin was on the Stephen Colbert show, featured not as a comedian or as an actor, but as a major art collector. Even he was featured in a goofy skit about art, it was quite evident he knows his stuff. I look forward to reading his art novel.
Dear Robert, I read this book, without nearly as much appreciation as you did. Thank you for giving me a new take on it. Humptulips, Alabama
I just want to thank you for your wit and wisdom… very much appreciated and enjoyed!
Hey Steve, I would really like to come over to your house and see your art collection! I just started reading AOOB. I don’t read many novels- they have to grab me right off the bat. I like your writing, Steve, especially Picasso at the Lapine Agile, a really witty play. One thing I noticed while holding the book is the texture of the book jacket- lush varnished hand lettering, as if the letters were cut out of a beautifully glazed painting. The rest of the jacket looks and feels like canvas. Tsk- take that iPad!
Steve Martins work certainly provides interesting insights into the art market and its collectors. I happened to read it on Kindle, though, and believe it was pretty flimsy stuff. Of course, the images of artwork didnt come through well on Kindle, and I wonder whether they might have contributed to positive reception of the book. The plot was excruciatingly weak, and the characters were one-dimensional. I read Martin in the New Yorker from time to time, and believe he is a better writer than this book demonstrates. In short, I found it disappointing.
Implicit in Martin’s novel is the understanding that contemporary art is a five legged stool. Artist, dealer, critic, curator and customer. If a turd is selected and those five characters come into play, “art” is created. It doesn’t have to be a conspiracy. It happens automatically because all five have a vested interest.
I too take a bit of offense to the phrase “Like a lot of artists, I don’t read fiction..” I guess I missed taking part in that poll, because I definitely would not have agreed with the sentiment. Reading fiction (good fiction!) is wonderful- the ability to imagine and visualize the settings and characters from a fiction novel is stimulating to my imagination and my creativity. I’ve been reading since I can’t remember when, and I don’t believe it’s hurt my artistic abilities at all. Perhaps you haven’t been finding the right fiction books for your imagination, if you feel they’re a detriment??
You give much insight with your considerable wit and knowledge of the principles of art. Time is so valuable; I have books on everything, from health to political science to art info. I tend to digest yours and others who can condense much information in a few words and am so grateful for your wisdom. Give me mountains of information in a few words to ponder and reflect on. Then there’s more time to explore with paint and brush our world, our beliefs, and our beauties that take us beyond the now. Thanks to all for another wonderful year of your thoughts and humor. Happy New Year!
My experience is anecdotal, but as far as I can see, most of my artist friends are somewhat or very active at consuming non-fiction–research, biography, history, art books and magazines both how to and coffee-table.
I love your art and your mind. You tweak my thinking and often make me smile and wonder. My deepest gratitude. bart@bartlindstrom.com
Im not surprised by the fact that Steve Martin wrote such an informed book. Undoubtedly he is a genius. Have you seen his play about Einstein and Picasso, for instance? I cant wait to read this.
Give me two sticks a rock and I will make for you a masterpiece.
I adored Steve Martin’s play Picasso at the Lapine Agile which brought laughing tears to my eyes much of the evening, many years ago now. The conversations between Picasso and Einstein, the artist mind and the scientist mind, just cracked me up, more than any other play I can remember. I might have laughed more than anyone else in the audience. . . I found its irreverence so refreshing about those things we take so seriously, myself being one of the serious ones, artist and college professor, married to a scientist.
I found An Object of Beauty a treasury and tour of “intriguing insider info” like having a best friend tell all, curiously with many of Steve Martin’s “fictional” characters, collectors and dealers throughout matching the names highlighted in another enlightening sizzling read, Seven Days in the Art World. I also enjoyed Martin’s Born Standing Up, especially the revelations, the moments, 2 unsettling epiphanies when he began to appreciate the essence of being unique – he would have to be entirely original. When this dawned on him he had already been working for many years, having started to work at age 10. Martin is extremely subtle, funny, poignant and deep. Also his play, Picasso at the Lapin Agile made me laugh out loud. Guess I’ll read An Object of Beauty again, with all the blog comments fresh in my mind.
thank you for the twice weekly robert i love and enjoy every one of them and the intros to other artists from everywhere god bless you for all your hard work
Two or three of the comments above reflected my opinion of “the book” by Martin, in that I found his prose to be choppy and shallow, and seeming to have been written more to be spoken than to be read. To be fair, I have read only the excerpts included in Amazon’s sales pitch, found in the link furnished in Robert G’s letter. That alone would have been enough to cause me to wait for my library to offer a copy for my risk-free reading, but just knowing that it is an Amazon offering so early after being published (and generously discounted) lowers its potential even further for me. Steve Martin is undeniably brilliant. He will leave for posterity an important life achievement in his writings and performances, and I’d guess that only those envious of his talents would try to deny his well-deserved accolades. I hope not to be thought of as an envious one. And, speaking of accolades, our own RG gave us a rare bit of bawdy humor in this review, worthy of a good laugh-out-loud in its own right; you can find it in the Letter above: “…and wise men jump to help her get a leg up, which she does with some frequency.”
I read a lot of junk, mostly genre novels, suspense, intrique, mystery, action/adventure, that sort of thing. It has a tendency to clear the sluices of my brain without lodging a lot a detritus that I don’t need. What I do not mean by that is information. I like information. I’m just very tired of negotiating a lot of half baked philosophy (religious, political, social, or what have you). It appears to me that a lot of people are inclined to want to adopt positions, attitudes, and perspectives that they find in books, without thoroughly vetting them (as they say in the spy novels). I have nothing against beliefs in general, as long as they are not so rigid that they cannot also encompass and include the more obvious truths of the world, or lead to violent or other anti-social actions. I admit that this sounds a bit anti-educational, but that’s not what is intended. It’s more of an anti-rigidity, or anti-certainty position. The more you believe something, the more you should be able to answer the difficult questions about it. I find that at this point in my life– being a “certain age”– I’ve not got to be either dogmatic or public about my beliefs, and that’s a relief. Then when I need to relax from the pressures of daily endeavor, the genre novels help immensely. In some respects it’s almost as good as meditation. [ By the way, Martin is a skilled banjo player and seems to hold his own among blue grassers and the like. No mean feat, that. ]
Belated Season’s Greetings Robert. Did you get the Steve Martin Book for Christmas? Your comments are intriguing enough to want me to read this, so maybe the publisher would pay a commission for the promo – do you think you think? I won’t ,emtopm ot ‘casue I love what you’re doing now. Diana
i.e. Revision to the comment on the Steve Martin Book – “I won’t mention it, ’cause I like what you’re doing now?” Sorry for the typos. Diana
Autumn At The Cranberry Bog oil painting, 25 x 31 inches by Dianne Levine, Bedford, MA, USA |
I agree Jeffrey…I have been an avid reader since I could read. I don’t see it as a drain on my imagination for painting ideas, but a welcome respite into another world.