Search Results: b (2704)

SUNLIGHT AND SHADOWS
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Fort Langley Artists Group Now in our 23rd year, the Fort Langley Artists Group (FLAG)…

Letters maud-lewis_three-black-cats
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As a little girl in South Ohio, Nova Scotia, Maud Dowley suffered from juvenile rheumatoid arthritis, which kept her small, with almost no chin and other physical differences. She spent her childhood at home with her parents and brother, and when her mother encouraged her to make hand-painted Christmas cards, Maud found that she could fashion a world of her own and depict the abundance of rural life.

Letters vincent-van-gogh_boats-on-the-beach-at-saintes-maries_1888
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“If you want to be an artist — try being artistic.” This deceptively minor slip of info was given to me by a fellow painter, Maurice Golleau, somewhere in Provence many years ago. I’ve come to realize that it’s the life breath of our business. In other words, don’t just paint the boat, paint the most expressive boaty-boat you can drag out of your reference or your imagination.

How to do that? Here are a few ideas to think about and perhaps apply to your own subject or style:

Letters marc-chagall_the-painter-to-the-moon-1917
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Among the new and old friends who came to Banff last Saturday was a burgeoning painter who told me about a recent switch from oil to acrylics. “Those acrylics, they dry too fast,” he said. “How do I get that stopped?” I glanced over his shoulder at a painting done by my dad while sitting in the sunbeam of a glacier not far from where we were standing. “At first, they dry too quickly,” I said. “With time you may find that they don’t dry quickly enough.”

Letters mary-pratt_eggs
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Artists write to say that they can do it one day and not the next. Simple as the problem may sound, it has always been a great curiosity to me. Some time ago I invented a method called “IAEAS.” It sounds Zeus-like, like a Greek god, and in a way it is. It stands for the “I’m An Extraordinary Artist System.” Before you turn me in, let me explain:

Letters georgia-o-keeffe_in-he-patio-no-iv_1948
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“There is no such thing as an amateur artist as different from a professional artist,” wrote Paul Cezanne, “There is only good art and bad art.” And so a better question might be, “How can I make my work more professional?” Besides the game changers of working every day, using quality materials and being vigilantly unafraid to trash stuff that doesn’t measure up, professionalism emerges through refinement and intimacy developed over the course of a thousand conversations with your process. You might even say that when it comes, you’ll recognize it immediately.

Letters alberto-giacometti_dog
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A subscriber wrote to say that many artists proclaim themselves to be “self-taught.” She cannot imagine that anyone is truly self-taught. She says, “I have learned from books, art exhibits, life, relationships, observations, and conversations with all sorts of people. I hear all comments and criticisms around me. I chew on them. I’m nourished by the ones that I decide work for me and spit out the others.”

Letters js-sargent_peter-harrison-asleep
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Here’s an exercise that you might try the next time you’re having a bout of creative constipation. I’ll relate it to painting but it works as well if you’re sculpting or writing a short story. It goes like this:

Make a painting that looks like it was done in five minutes, but take at least two hours to do it. Go seriously to work at making the thing and the job look casual and easy. Give it flourish and spin. Get the gestures right with freedom and paucity.

Letters james-hart_carving-ubc-recpole
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“Everyone has a quest,” a friend once said when visiting the studio. “An artist’s quest is in her work.” I was pulling a number 50 super soft piano bright along the edge of a soaked grey cloud, beguiled for the millionth time by the twinkling and mysterious possibilities of painting. “Without the quest, there’s no epiphany,” I replied. The pursuit of truth, innovation, beauty, surprise, connection — to communicate, propel, report, witness, comfort — these are the timeless commands of art. By renouncing known routes to engage the ache for the ever-truer, the artist begins:

Letters robert-genn_melissa
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Every time one of my letters disappears from this box, mail comes back with topic suggestions. I really appreciate these ideas. One of the most frequently requested is “procrastination” — a subject of which I’m proud to be an authority. Just as it takes a somewhat recovered alcoholic to stand up in an AA meeting, I’m your guy.

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