Yearly Archives: 2018

Letters kerry-james-marshall_untitled
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Peggy Cooper Cafritz, the most ardent champion of African and African-American artists, this week bequeathed her entire collection to two of her most beloved institutions.

Six hundred and fifty artworks have been divided between the Studio Museum in Harlem and the Duke Ellington School of the Arts, the school Peggy helped found while still in her junior year at George Washington University. These works were not Peggy’s first collection. In 2009, when she was 61, a lifetime of art collecting was destroyed in the largest residential fire in Washington D.C. history when Peggy’s home burned to the ground while she was out of town.

Letters john-james-audubon_great-white-heron
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I’m laptopping you from a quiet nook in the garden of Audubon House, a small museum in Key West, Florida. In April of 1832, Audubon stayed in this house and counted nineteen species right here in this garden. He also painted some of the locals including the Roseate Spoonbill (I saw five of these overhead this morning), the Brown Pelican and the Great White Heron. Now the evening sky glows and beyond the quay pelicans are diving in the last light.

Letters helen-frankenthaler_basin
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“To be put in any category not defined by one’s work is to be falsified,” said Elaine de Kooning, responding in 1971 to being characterized as a “woman artist.” She was pushing back against a new field of art history which was burgeoning on the sidelines of the contemporary art world called, “feminist art theory.” She wanted to be judged not by gender but solely on her ideas and skill.

Letters elizabeth-sparhawk-jones_in-rittenhouse-square_nurse-maids
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Called “The Order of the Golden Day,” here’s a bit of fun that can change your life:

You set aside a clear and uncluttered day to work and love your craft. Start early; end late. You put your head down and push yourself from one thing to another. It’s a day where everything comes out of the end of the brush (or pen, or chisel), a luxury day where all that counts is the universe of your creation. After, on your weary way to bed, you can give yourself a badge.

Letters TV - Merv Griffin Show, Ray Charles, piano, Quincy Jones - early 1970s
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Quincy Jones says that when it comes to making good music, God walks out of the room when you’re thinking about money. By “God,” Quincy doesn’t mean organized religion — he doesn’t believe in an afterlife and disparages the peddling of “smoke and fear.” Instead, he believes an ineffable magic occurs when the heart is present. “Another word for it,” he says, “is love.” Quincy says you’ve got to be prepared. “Make your mistakes now and make them quickly. If you’ve made the mistakes, you know what to expect the next time. That’s how you become valuable.”

Letters Richard Diebenkorn, Seated Nude, Arm on Knee, 1962. Oil on canvas, 51.25 x 45.75 in. Collection of the Oakland Museum of California, Gift of the Estate of Howard E. Johnson. © The Richard Diebenkorn Foundation.
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There’s no doubt about it, stress in the life of an artist can contribute to the diminishment of the art. Not only the amount created, but the quality as well. Simply put, daily stresses block the clear flow that exemplifies the artist’s life. Apart from that, stress over a period of time can lead to high blood pressure, stroke, and a host of other disorders that greatly interferes with the quality and duration of life itself.

Letters garth-williams_charlottes-web-9
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“A writer who waits for ideal conditions under which to work,” wrote E.B. White, “will die without putting a word on paper.” Instead of looking to the future for better working conditions, we can begin now, understanding that the idea is merely a draft, and a draft is merely an idea.

Elwyn Brooks White was born in 1899 in Mount Vernon, New York, and grew up with a love for books and animals. At Cornell, he edited the university newspaper while completing a Bachelor of Arts degree and after graduation worked as a reporter and advertising copywriter.

Letters COURBET, Gustave (b. 1819, Ornans, d. 1877, La Tour-de-Peilz) The Grain Sifters 1854 Oil on canvas, 131 x 167 cm Mus?e des Beaux-Arts, Nantes The women here are Courbet's sisters, Zo? and Juliette, along with Courbet's son, D?sir? Binet. A masterpiece of rural simplicity, it is a brilliant example of the genre scene and reminiscent of Millet. The painting was exhibited at the 1855 Salon. --- Keywords: -------------- Author: COURBET, Gustave Title: The Grain Sifters Time-line: 1851-1900 School: French Form: painting Type: genre
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A subscriber wrote, “I’ve been a photographer for longer than I care to mention and have recently taken up painting in acrylic. I find that all the subject matter has been expressed through my photography and not much, if anything, catches my eye for painting. There are always subjects to paint, but none that I want to paint. My wife and I are packing up and moving to the B.C. Gulf Islands in an attempt to spark the creative juices again. Have you ever run into this kind of block?”

Letters Budavar-repossession-by-Gyula-Benczur
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At the top of the staircase at the National Gallery in Budapest hangs what many agree to be the last Hungarian historical painting. Commissioned for Budapest’s bicentennial and finished in 1896, it depicts the moment two hundred years earlier when the troops of the Holy League, led by Commander Prince Charles of Lorraine, took the city back after 150 years under Turkish rule. At over 23 feet long and 11 feet high, the painting puts me at eye level with the iridescent pink flag and golden boots of an unknown colour guard, who has been crushed beneath the slain body of the Turkish pasha Ali Abdurrahman. They lay strewn across the painting’s almost dead-centre foreground.

Letters Canadian Fine Art resale market
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Early in my career I came to know an artist by the name of Lawren Harris. On one of our walks together he told me that he thought paintings came out of themselves. He explained that the painting you are doing right now is the springboard for the next and the next after that. When paintings follow one another, in series or in similar format, they “learn” from one another. A useful technique is to vary the approaches to the development of the series. The whole idea, as I’ve come to understand and apply it, is to better extract the spirit of subjects. Here are a few methods:

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