On being casual
Dear Artist, On Monday, I was a member of a jury. All of the entries,…
Dear Artist, On Monday, I was a member of a jury. All of the entries,…
Dear Artist, In 1962, Neo-Dada collagist Ray Johnson, along with some of his Fluxus friends,…
Dear Artist, Yesterday, Marjorie Ewell of Cape Coral, FL and Galloway, NJ wrote, “How do…
Dear Artist, A lot of stuff has been written about writer’s block, mainly because writers…
Dear Artist, Rumour has it that when J.D. Salinger died in 2010 at the age…
Dear Artist, These days no self-respecting workshop instructor goes half an hour without mentioning negative…
“For an artist, greatness happens when you can take something organized and make it feel like it was improvised,” says dance teacher Helena St. Rogers in the drama series, Pose. In painting, you may wonder how to do this without ending up with an aimless jumble. Improvisation, the act of composing without a plan, unfurls in real time but rests on an armature of known structures and experiences, with the goal of getting to a breakthrough. Just as a jazz musician takes a solo over a grid of eight or twelve bars, your improvisation should have a beginning, middle and end.
Dear Artist, In the good old days, students in art schools were provided with simple…
Dear Artist, One of the most engaging aspects of Greyhound, Tom Hanks’ new film about…