Search Results: b (2704)

Letters Uncanny X-Men #275
by Jim Lee, with inks by Scott Williams and colors by Glynis Oliver and Joe Rosas, 1991
13

In 1986, Jim Lee was preparing to graduate from Princeton with a psychology degree and considered going to medical school. As a kid growing up in suburban St. Louis after his parents emigrated from Seoul, South Korea, Jim learned to speak English while escaping to comic books to relieve the anxiety of feeling like an outsider. Upon his graduation from Princeton and longing to return to his love of art, Jim decided to enroll in a drawing class. When something ignited inside him, he asked his parents for a year to postpone his studies while he tried to break into the comic book industry.

Letters Noah Purifoy, No Contest (Bicycles,) 1991
13

If you drive for about a hundred miles due east out of Los Angeles, you’ll reach the Mojave Desert and the edge of one of its National Parks, Joshua Tree. There, among a dusty network of roads to nowhere, a ten-acre plot sprouts with assemblages made from the detritus of 20th Century America. Repurposed and redesigned to tell new stories, they cut, wind-worn and bleached, into a cerulean, high desert sky.

Letters robert-genn_painting-at-Marina_2010
6

Just below where we live in Crescent Beach, B. C., there’s a fine public marina. I’ve been wandering down there for years. Some of the locals occasionally drop by to see what I’m up to. One day an unknown passerby paused to ask me if this were my day off work.

Letters Seascape Study with Rain Cloud (Rainstorm over the Sea,) 1824-1828 
oil on paper by John Constable
6

Dear Artist, Late yesterday afternoon and then again all last night a terrific storm passed…

Letters Groovin High (1986), acrylic on canvas, tie-dyed, pieced fabric border, 56 x 92 inches by Faith Ringgold
11

When asked how an artist finds her voice, writer Roxane Gay says it’s not something that you really find. “It’s something that’s in you and you allow to emerge,” she says. “Oftentimes people go looking here or looking there, instead of just recognizing that they already have the voice, and they just need to use it.”

Letters jean-dubuffet
21

About fifty documented instances exist of children reared by animals. Children brought up by wolves or bears tend not to speak or draw. On the other hand, children born into a world of speech and art adopt the skills of their elders. Most cultures encourage children to make images as soon as they can hold a tool. Remarkably, at about four years of age, all children produce similar imagery. In a now-famous research project, Swiss psychologist Jean Piaget (1896-1980) found that toddlers from all cultures, when encouraged, do the following:

Letters philip-goodwin_adventures-on-the-nipigon
7

A friend, I’ll call him Cosmo, was a lifelong art collector and a generous museum benefactor. He loved to support artists young and old, and had even infected his kids with his collecting joy. Early in our friendship, Cosmo and I paddled the rapids of his beloved Northern river. There, he told me that his passion for business was like mine for art. Another time, he took me to the top of a skyscraper so I could see a banker’s view.

Letters howard-pyle_salem-wolf_1909
11

Yesterday, in the New York clubs — Salmagundi Art Students League, the Society of Illustrators — I was cruising historical and current members’ work, listening to wisps of conversation, digging in archives, wandering down memory lane.

Howard Pyle (1853-1911) came to New York from Wilmington, Delaware, in 1873. “Pyle arrived at the right time and instinctively recognized the power of pictures for everyone,” says Pyle’s biographer, Henry Pitz.

Letters barbara-hepworth_curved-reclining-form-rosewall
17

“What happens with you when you begin to feel uneasy, unsettled, queasy?” wrote American Tibetan Buddhist nun Pema Chodron in her 1996 book, When Things Fall Apart. “Notice the panic, notice when you instantly grab for something.” For artists, we may make sense of the discomfort of creative inquiry by giving it a name and influence. A genuine self-delusory avoidance activity is better known by its power-handle: “Block.”

Letters james-rosenquist_chambers_1978
24

The well-known physicist and writer David Deutsch is also well-known for the messiness of his workplace. Once, when a TV crew came in to record an interview with him, they offered to tidy up a bit before beginning. He told them they could if they put everything back exactly the way it was. They did.

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