Browsing: Letters

Letters
13 Some concerns of a working artist

Dear Artist, While catching up with an artist friend recently, we rambled through a few mechanical subjects: galleries, crating and shipping, contracts, assistants, exhibitions and fairs, pricing, sales, community, stretchers, transportation and studio visits — each a detail of the…

Letters
0 White on white

Dear Artist, In 1862 James McNeill Whistler painted Symphony in White, No.1: The White Girl. It demonstrates the nuances of a pigment that is basic to our palettes. Unlike the Sargent painting that we looked at before, it has none…

Letters
10 Ahead of time

Dear Artist, “Just like aging wine, a product of creative work acquires quality over time,” suggests theoretical physicist Avi Loeb recently in Scientific American. “It is colored by the response of the audience as well as by imitations.” What Loeb…

Letters
11 Terminal creativity

Dear Artist, A recent book, Cancer and the Art of Healing co-written by Dr. Marilyn Hundleby and Sherry Abbott, catalogues a variety of activities — painting, singing, writing, photography, journaling, quilting, etc., that have positive effects on patients. “Art helps…

Letters
15 Butterfly

Dear Artist, When Eric Carle was a little boy, his father would walk with him in the forest near their Syracuse, N.Y. home, where they’d explore the bugs and worms that scurried from beneath pulled-back tree bark and overturned rocks.…

Letters
17 Signing your life away

Dear Artist, Yesterday, Chris Bingle of Stroud in Gloucestershire, UK, asked about signing paintings. She recently turned down the purchase of one because the artist had signed her name “quite high on the lower left in a thick, black stylized…

Letters
23 An aesthetic attitude

Dear Artist, Ellen Winner, Professor Emerita of Psychology at Boston College and Senior Research Associate at Project Zero, Harvard Graduate School of Education, studies learning, thinking and creativity in the arts. As part of her role as founder and director…

Letters
8 Hyper-perfectionism

Dear Artist, Work can sit on the easel for months, even years. The afflicted artist may be dedicated, hard-working and obsessive. In mild cases he takes a very long time to get to signing, let alone to making a delivery.…

Letters
15 Satisfactory strokes

Dear Artist, Caroline Morse, from Southern California, wrote, “I often find I am not satisfied with the brushwork. I may have pulled off a painting I am relatively satisfied with, except for the brushwork. It may be messy or scribbled…

Letters
11 The case for visualization

Dear Artist, Yesterday, Stephanie Quinn of Dallas, Texas wrote, “Athletes are taught to visualize winning and to set goals. Often, when I visualize my finished product and set out to work on a piece, it doesn’t turn out as well…

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